Monday, 23 April 2012

Half-Time Huck

Personal appearances by cartoon characters can be difficult. I mean, what do you do, hold up a drawing?

The folks at Kellogg’s or their agency or Columbia Pictures came up with the idea of having people dress up as Hanna-Barbera’s stars to make appearances in costume at stores, fairs and public events. There was even someone who went with them to do an act.

From what I can tell, those costumes looked kind of tacky. But they didn’t look as off-model and home-made as the ones in Rochester, Indiana that you see below.

Here’s a picture from the Rochester Sentinel, dated October 10, 1961. Even Dumbo didn’t have ears the size of the Pixie and Dixie costumes.



The idea of Huck et al parading at half-time makes me wonder, was there one of those little cartoons-between-the-cartoons that featured a sports stadium setting? If not, the idea lends itself to some pretty good gags. Yogi appeared in “Rah Rah Bear” (1959); I can see Huck in a football cartoon of his own, maybe against Powerful Pierre. Oh, where’s Ed Love to draw “Half-Time Huck”? I’m pretty sure it would look a lot better than those unfortunate costumes.

Saturday, 21 April 2012

Yogi Bear — Scooter Looter

 Produced and Directed by Bill Hanna and Joe Barbera.
Animation – Carlo Vinci, Layout – Ed Benedict, Backgrounds – Art Lozzi, Dialogue and Story Sketches – Charlie Shows and Dan Gordon, Titles – Art Goble, Production Supervision – Howard Hanson (no credits).
Voice Cast: Yogi Bear, Scooter Rental Guy, Elwood, Fisherman – Daws Butler; Boo Boo, Touque Guy, Ranger Mack, Golfer, Customer – Don Messick.
Music: Bill Loose/John Seely, Spence Moore, Geordie Hormel, Jack Shaindlin.
Episode: Huckleberry Hound Show K-025, Production E-61.
First Aired: Week of March 16, 1959.
Plot: Yogi borrows a park scooter but doesn’t know how to drive it.

The two highlights of this cartoon are Ed Benedict’s character designs and Art Lozzi’s colourful rendition of Jellystone Park. The story? There really isn’t one. What can you say about the animation when the starring character spends most of the cartoon sitting?

John Kricfalusi wrote about Lozzi’s technique on this cartoon on his blog. It’s hard to believe the post is over five years old. You can read it HERE. But allow me to post several of Lozzi’s backgrounds.







I like the blended colours, which makes the backgrounds seem more detailed, but without distracting from the characters.

The characters in this one are fun, too. Ed liked creating people who looked like their collars were too tight. Check out the guy who runs the scooter rental place.



I like the golfer who gets (wait for it, folks) teed-off at Yogi.



And we get a return appearance of Ranger Mack from ‘Robin Hood Yogi.’ Carlo loved head shakes to register all kinds of emotions in the Huck show’s first season. Ranger Mack shakes his head three times in this cartoon. Here’s one of them, four drawings ones, slowed down for you. Carlo seems to have preferred two-drawing shakes in other cartoons.



Carlo’s other highlight is Yogi’s bongo walk that he used in a few cartoons. It wasn’t the only walk he gave Yogi and it pretty well bit the dust in the second season. It’s hard to do dialogue when there are drums banging under the talking. Yogi walks flailing bent wrists on twos at the start of the cartoon, there are eight drawings on twos. Writer Charlie Shows fills for time by having read a sign. He fills for more time by having Yogi say “‘Scooters for rent.’ That’s what the sign says. The sign says that.” It’s a variation on the old Rochester line from the Jack Benny radio show: “That’s what the man said, he said that.”



Yogi meets up with the scooter rental guy. It sounds like Shows has him channelling Wimpy from the Popeye cartoons: “I will gladly pay, sir, out of a small inheritance I am expecting momentarily, sir.” The rental guy shoos him away. We get Carlo’s thick upper teeth here. The indignant (but “responsib-bable” bear) responsible concludes he is entitled to ride a scooter, despite Boo Boo’s warning, so he does. And most of the rest of the cartoon, other than dialogue, Yogi’s animation pretty well consists of cycle animation of him pressing the button for the toy horn on the scooter, with a blank look on his face. He runs down the scooter guy. And he runs down Boo Boo. I keep thinking if this happened in the ‘70s, goody-goody groups would complain about the violence. Fie on them.



He chases guys in sleeping bags. I love their little hop cycle, six drawings on twos. The rental guy and the sleeping bag guys call head-shaking Ranger Mack. Much like Ranger Smith in the later season, he’s sceptical of what the callers are saying about a bear on a scooter. He learns they’re right when Yogi drives through his cabin.



Yogi goes into, and up, a hollow tree, coming out on what, I guess are three dead trees suspended in the air horizontally by the weight of the forest. He drives along three of them, including one upside down. That high-larious Joe Barbera!

The next bit’s cute. Boo Boo attaches a lasso to the scooter rental shack to rope and stop Yogi. The rental guy looks morose. He knows what’s coming. It does. The shack collapses because Yogi keeps going and puts out the support beam with the rope.

Yogi screws up a golf shot because the scooter leaves tracks that deflect a ball away from the hole.

The golfer throws his club at the bear. It wraps around his neck. “Ouch, what a grouch,” says Ed Norton Yogi. The bear drives into a lake. A fisherman’s hook gets caught on the scooter. Yogi comes out of the lake and drags the scooter into a stump (why the scooter missed the stump but the rowboat following directly behind didn’t must be some Cartoon Law). The fisherman turns to the camera. What witty crack does he have for us? “A bear on a scooter?! The boys at the office will never believe this one.” Hmm. Maybe that passed for humour in 1959.

Finally, the end comes, in a manner of speaking. It’s another old cartoon ending familiar to Hanna-Barbera viewers. It’s a variation on the one where someone’s being chased by something with almost endless amounts of fuel and the gag line revolves around how he’s going to be chased for months and months. In the case, Yogi’s back up along those trees in the air (in reused animation). He tells us he’ll come down “When I run out of gas. When else?” Maybe that passed for humour in 1959, too.

There’s a musical gag, something rare at H-B because they were scoring to stock music. Part of Spencer Moore’s ‘L-81 Comedy Underscore’ is used to indicate the sleeping bag guys are just realising they’ve seen a bear on a scooter. The music takes the place of animation. In a way, it’s like in a TV or movie mystery when you hear a bar or two of dramatic trombones after the words “And someone’s been murdered!”

The soundtrack features the well-known ‘Pixie Pranks,’ which gets edited into itself to lengthen it. And, wisely, there’s no music while the bongos are accenting Yogi’s walk.


0:00 - Yogi Bear Sub Main Title theme (Curtin, Shows, Hanna, Barbera)
0:13 - L-1154 ANIMATION COMEDY (Moore) – Yogi and Boo Boo talk.
0:20 - Bongo sound effect – Yogi walks.
0:26 - L-1154 ANIMATION COMEDY (Moore) – Yogi looks at scooters.
0:31 - Bongo sound effect – Yogi walks, guy drives off on scooter.
0:40 - TC-300 ECCENTRIC COMEDY (Loose-Seely) – Yogi talks to scooter rental guy.
1:10 - Bongo sound effect – Yogi walks.
1:17 - TC-201 PIXIE COMEDY (Loose-Seely) – Yogi looks at scooters, starts riding, rental guy calls ranger, “I was disconnected.”
2:17 - ZR-48 FAST MOVEMENT (Hormel) – Yogi beeps horn, runs down Boo Boo, rides over campers in sleeping bags, skid sound.
2:51 - L-81 COMEDY UNDERSCORE (Moore) – Campers on ground.
2:52 - no music – “It is a bear. On a scooter,” campers zip out of scene.
2:55 - LAF-2-12 ON THE RUN (Shaindlin) – Yogi chases campers, rental guy run over.
3:18 - LAF-4-6 PIXIE PRANKS (Shaindlin) – Ranger Mack in office, Yogi on tree branches, call to Ranger Mack, Mack on scooter, “I couldn’t care less, shorty.”
4:56 - TC-202 ECCENTRIC COMEDY (Loose-Seely) – Boo Boo swings lasso, rental shelter collapses, golfer, ball misses hole, Yogi drives past golfer
5:41 - LAF-5-20 TOBOGGAN RUN (Shaindlin) – Golfer throws club, Yogi under lake, drags fisherman, Yogi goes into tree.
6:31 - LAF-25-3 bassoon and zig-zag strings (Shaindlin) – Yogi on branches.
7:00 - Yogi Bear Sub End Title theme (Curtin).

(The cue sheet for this cartoon states the music at 5:41 is LAF-4-1 aka Fishy Story by Jack Shaindlin).

Yowp Note: With this post, all the first season Yogi Bear cartoons have been reviewed on the blog.

Wednesday, 18 April 2012

Raise a Glass to Uncle Tex

Hal Smith was a typical television overnight success. “Overnight” took over a decade.

By “success,” we mean “national fame.” Until he landed the role of Otis the town drunk on ‘The Andy Griffith Show’ in 1960, Smith was known in Los Angeles as a jack-of-all-trades in the pre-network feed days of local TV, bouncing from station to station starting by 1950. He was what was known in the press as a “zany.” He appeared as a panelist on game shows hosted by Art Baker (“Stop, Look and Listen”) and Chet Huntley (“Who Knows?”). He hosted a bunch of movie shows, one with future voice artist Nancy Wible, another dressed as a Keystone Kop and still another where he showed the first film he appeared in (“Stars Over Texas”). He did kid shows, including appearances as Santa Claus (preparing him for later cartoon work in that role). And when network shows began shooting on the West Coast he found work, as you’ll soon read.

Hal’s name vanishes from newspapers around 1956 and doesn’t re-appear until his hit recurring appearances as the happy, responsible, weekend-only drunk in Mayberry, beginning October 10, 1960. That’s when everyone started noticing him. Interestingly enough, the stories I’ve run across mention his cartoon work, which we’ll get to in a moment.

The Milwaukee Sentinel of March 26, 1961 gives a bit of a biography in an unbylined story.


He Has Staggering Assignment
Hal Smith Plays Town Drunk in Griffith Series
AS OTIS, THE town drunk of Mayberry, on the Andy Griffith show actor Hal Smith feels right at time.
Not because he’s an alcoholic, but because he’s familiar with small towns. He’s lived in enough of them. Born in Petrosky, Mich., with his family Hal moved to Wilmington, N.C., then to Dickinson Center and Massena, N.Y., and ultimately the large and small towns of show business, as a traveling musician before he became an actor.
Formed Team
“I had good indoctrination for my future career,” the rotund actor says. “My father was the end man with High Henry’s Minstrels and when I was 6 years old, my brother and I played elves in the Follies of 1923, down in Wilmington. Later in high school my brother and I formed a vaudeville team and I finally started singing with Freddie Cornburst and his orchestra, later known as Freddie Kaye.”
It was after service in World War II in the South Pacific that Hal came to Hollywood, broke into radio and ultimately motion pictures.
“I don’t think the fact I’d lived in North Carolina had anything to do with my being cast as ‘Otis’ on the Andy Griffith show,” he says, “but I can fall into a southern drawl without much effort,” he drawled.
Many Roles
He can do many other voices too, as witness to the fact he did over 100 filmed commercials last year. And if the face seems as familiar as the voice, it’s because Hal played the next door neighbor in I Married Joan, Floyd the Barber in The Great Gildersleeve, the barber in Jefferson Drum and roles in 22 segments of The Adventures of Ozzie and Harriet.
In addition, he does voices on The Flintstones, Huckleberry Hound and Quick Draw McGraw.
“The part of ‘Otis’ is the hardest acting of all, though. It’s because I’m generally—shall we say, inebriated. And I don’t drink,” he concluded with a tone of futility.
The Griffith show is seen on CBS-TV at 8:30 p.m. Mondays.

Here’s a piece from the Syracuse Post Standard of Sunday, December 31, 1961. Syracuse is not far from Massena where they gave a day in Smith’s honour in 1964.

Hal Smith Returns Home
TV Comedian Visits Massena

MASSENA—The story of Hal Smith, television and motion picture personality is one of a Massena area resident making good. Hal is perhaps best known in entertainment circles for his current role as Otis Campbell, town character, on the Andy Griffis [sic] TV show.
He graduated from Massena High school in 1936. Hal left Massena after graduation for Utica. After a long pull at a radio station there he joined the Air Force during World War II. After discharge he went to the West Coast.
While in high school in Massena Hal acted in several school productions.
He was known as “The man of a thousand voices” and still has quite a few tucked away in his vocal cords. Hal does some of the voice work on the popular cartoon series “The Flintstones,” “Huckleberry Hound” and other TV favorites.
His parts in movies and television have been primarily comic. Perhaps one of the least publicized bits he played was in the film “The Apartment.”
Hal was the drunken Santa Claus who rushed into a bar and ordered a “quick one” because his reindeer were double parked.
Acting is hard work, he said, and to stay in the business you really have to like it and Hal Smith loves his work.
[missing line]
Durante, Loretta Young, Claude Raines, the Great Gildersleeve and many others.
On his visit to Massena, Hal had little time to call his own. Wherever he went he was greeted by old friends and fans. He said he had found that Massena was a far cry from what, he remembered it to be many years ago. “But I think I could still find my way around if I had to,” he added.
Hal makes his home in Santa Monica, Calif., with his wife and son.
In relating some of the odd incidents which have happened in his TV and movie career, Hal said he remembered an episode during the filming of a western TV series.
A stunt man took the part of the show’s star for a scene where the star was to get punched in the face, Hal said the stunt man had rehearsed the part and had it down pat. “He must have forgotten to duck, because he really got clobbered. In fact it broke his nose. And then. . . to top it off. . . the director made them shoot the scene over because the punch didn't look real.”

Yes, with fame came profiles by national TV columnists, all of whom pointed out Smith’s side-career at Hanna-Barbera. Here’s on from May 29, 1965 by Erskine Johnson of the National Enterprise Association.

Heavy Elf Blends With Tots, Pancakes
HOLLYWOOD. — We have with us today the Dr. Jekyll and Mr. Hyde of television.
He’s a gregarious, roly-poly comic with a rubber face and a bundle of trick voices who once played an elf in a kiddie show.
“And,” laughs Hal Smith, breaking himself up, “I’m still an elf—just a few hundred pounds heavier.”
YOU HAVE seen Hal for five years now as lovable Otis Campbell, the Saturday night drunk who locks himself up with his own jail cell key on CBS-TV’s The Andy Griffith Show.
But now hear this:
Every morning, on a Los Angeles television kiddie show, Hal Smith is the delight of the kiddies as “The Pancake Man” for a chain of Southern California pancake houses.
Hal, children and pancakes are a happy blending.
“I love children AND pancakes,” he laughs.
The kiddies are in on Hal’s double life.
“I TELL THEM I’m Otis, the good-natured drunk on the Griffith show but they don’t mind. Happily, the sponsor doesn’t, mind either."
When you get down to it, the other lives, careerwise, of Hal Smith are more than just double. He’s Otis and The Pancake Man and he’s also the voice of Uncle Tex on The Flintstones and the voice of Elmer Fudd in the Bugs Bunny cartoons. He’s also 50 or 60 other fellows in TV commercials, which he makes as fast as his morning sponsor makes pancakes.
“I’m lucky,” beams Hal, a one-time Utica and Buffalo, N.Y., radio announcer who landed in Hollywood in 1946 after keeping the fellows laughing during World War II as an Air Force special service officer.
“I HAVE A RUBBER face, with a different voice for any occasion. I can lift an eyebrow, wear a mustache or a beard and look and sound like 50 other fellows.”
Just how well he is doing as a man in a revolving door who never looks or sounds the same way every time he comes around, is the envy of his fellow actors.
He lives in Santa Monica, with his wife and 15-year-old son, owns a 25-foot boat, a 400-acre ranch in Northern California and passes out expensive cigarette lighters to friends and strangers.
“I’m a happy man doing what I like to do,” says Hal.

And this United Press International column from August 18, 1966 points out cartoon voice work had come a long way from Bill Hanna’s policy of “Scale for everybody but Daws” at H-B in the late ‘50s.

Sober Hal Smith makes convincing toper on TV
By VERNON SCOTT
UPI Hollywood Correspondent
HOLLYWOOD (UPI) — Inebriation is frowned on in television, but for the past six years Hal Smith has been bombed out of his mind as the town drunk on “The Andy Griffith Show.”
Smith is jolly Otis Campbell who staggers in and out of the Mayberry jail to sleep it off. Even has his own key to the cell.
Playing both souse and jailbird is a mixed blessing for Smith. It provides him with a handsome income but plays hell with his personal reputation.
“Strangers come up to me and ask if I’m sober,” he says. “Others are surprised to see me walking the streets, figuring I should be in jail.”
Smith himself is a light social drinker, guessing, that he downs fewer highballs than the average householder and certainly less than most Hollywood actors. He can’t recall the last time he was flat out stoned.
Early American
The actor and his wife of 18 years, Louise, live in a rustic early American home with three bedrooms, three baths, family room and den. Their swimming pool is the Pacific ocean which is a scant two blocks away.
They are the parents of Terry, 16, who takes a good deal of teasing about his father’s television drinking habits.
Smith’s role as the town toper on the CBS-TV series probably brings him less income than his other activities, primarily dubbing voices for cartoon characters. He has a wide range of dialects and voices, sometimes putting them to use five days a week for the Hanna-Barbera cartoon studio.
In the mornings he usually rises early enough to fix his own breakfast in time to report to Desilu studios by 7:45 clear eyed and ready to pretend he’s drunk.
Depending on the schedule, he returns home between 6:30 and 8:30 p.m., or goes directly from Desilu to the Hanna-Barbera studio in the San Fernando valley for recording sessions, driving the 15 miles in a large and expensive sedan.
Once home Smith finds himself surrounded by knotty cedar paneling and early American wall paper and antique furniture. The kitchen is a change of pace with copper appliances and cabinets painted a Chinese vermilion.
Upstate New Yorker
Hooked rugs cover most of the floors and Smith is especially proud of reproductions of the famed paintings of Blue Boy and Pinkie done in petit point with yarn. There also is a picture painted by his mother at age 75 depicting the old maple sugar farm in upstate New York where Smith was raised.
There is a gardener to tend the Smith lawn and flower beds, but the actor spends much of his free time in a greenhouse cultivating birds of paradise plants.
On sporadic vacations the Smith family packs off for a plush ranch home on the Klamath river near the Oregon border where Smith raises cattle and alfalfa on 400 acres of rich farmland.
“We’re going to start raising thoroughbred horses up there soon,” Smith says. “It’s a wonderful place to get away from the hustle-bustle of work.”
Smith fancies himself an exceptional outdoor cook and on weekends can be found at the barbecue broiling anything from hotdogs to steaks. On these occasions the family dachshund, Fritz, frolics nearby, hoping for scraps.
The Smiths entertain at two or three big parties a year, but two or three times a month friends stop by for a casual dinner and a round of drinks.
Actor Smith also is an amateur airplane pilot but has little time to fly.
His wardrobe is geared to television, but the slovenly outfit he wears as Otis Campbell is restricted to the show.
One more thing, Hal Smith has never been jailed for drunkenness—or for any other reason.

In the few years between his local TV gigs drying up and gaining TV immorality as Otis, Hal jumped into the world of animation. Bill Hanna and Joe Barbera were looking for new talent in 1959 as they were adding another half-hour syndicated TV show (Quick Draw McGraw) and a theatrical series (Loopy De Loop). They tried a bunch of different people but the only ones who kept getting called back were Smith and Jean Vander Pyl. A year later, both won starring roles on ‘The Flintstones,’ but Smith’s Barney Rubble was re-cast with Mel Blanc in the role. Interestingly, Hal apparently was given a reprieve and lost the role a second time. This is from Hedda Hopper’s column, dated February 25, 1961.
Oh, by the way, don’t judge an actor’s abilities by the role he happens to be portraying at any given time. Hal Smith, for instance, who plays the town drunk on “The Andy Griffith Show,” will be subbing for the injured Mel Blanc on “The Flintstones.”
He may have “subbed” for Blanc, but the fill-in for Barney was Daws Butler. We can only guess Joe Barbera still wanted an Ed Norton quality to the voice and that’s what Daws gave him.

Regardless, Hal didn’t need the role. He was the announcer on ‘Hazel,’ and voicing countless commercials and cartoons at the time I won’t even try to enumerate; you couldn’t escape his voice. And that’s even before his huge, lucrative career at Disney.

Hal died of a heart attack on January 28, 1994. The sad thing is the popular press didn’t report it for more than another two weeks. Maybe no one told the wire services. Too bad. That’s treating him like the town drunk.

Monday, 16 April 2012

Flintstones Weekend Comics, April 1962

Why, oh, why, was there this obsession with turning Fred Flintstone from a jerk who gets his come-uppance to a doting softy? Why?

Pebbles hadn’t been invented by April 1962, so Gene Hazelton and his staff working on the Flintstones comic strips came up with a stand-in, the oooh-too-cute neighbour girl, Amber. She’s featured in two of the weekend comics that month (Saturdays in Canada, Sundays in the U.S.). However, we get three of the original versions of Fred in the same month so that balances it out.



Well, we can’t get away from having a cute girl in the April 1st comic; the child is an incidental character in the first panel. Cobblestone Lane is apparently a downtown, not a residential, street.



April 8th features Betty with stripes in her hair and Dino saying “Gleef!” At least Fred isn’t spending his birthday in jail, like the animated version did.



Nice mastodons on April 15th. The second panel has a neat angle on Wilma; it’s not quite front view.



Oh, Fred. You really want to run into Little Amber, don’t you? Sentiment in the April 22nd comic. There’s a silhouette panel, the only one this month.



And more sentiment on April 29th. And a front version of Wilma. Hey, who would leave burning pancakes on a stove?

As usual, click on the drawing for a larger version.

Sunday, 15 April 2012

Meet the Sethstones? Not Likely

By now, you’ve likely heard the news that Seth MacFarlane’s proposed remounting of ‘The Flintstones’ is on hold. The initial news about the Fox series brought about reactions from fans much like the one by Fred you see to the right. Word about the shelving has brought whoops of thanks to the Deity. Even from atheists, I suspect.

When MacFarlane was given the green-light a number of months ago, I avoided comment about the whole idea. Uproar was generated elsewhere over fears his version of ‘The Flintstones’ would become some kind of bastardised ‘Family Guy,’ yet there wasn’t even one drawing out there to prove the fears were founded on anything except a hunch. There was nothing really to comment on.

I still don’t really have any comment, other than what I’ve said about reviving other old cartoons and TV shows. The original voice artists are gone. So are the writers. So are the great Golden Age animators and designers. And some people out there seem to be doing what they can to make the whole cel-based process that put the Flintstones on TV in the first place obsolete. I realise there are animators and writers out there who love the characters and might be able to do them justice in a half-hour form. But it just wouldn’t be the same. To paraphrase a song, The Flintstones are a place right out of history. Let them stay there.

Comments have been made that the show is merely postponed and could jump off the shelf, ready to take the title of Flintstones Nadir away from Gazoo or the Schmoo or Flintstones Babies or whatever the low point was. It could. But it could be like uncountable other Hollywood projects that have been in limbo then the option on them runs out. By the way, didn’t I read three years ago about Zac Efron as Jonny Quest?

Oh, and if you haven’t seen it, here’s Pudsey the dog dancing to Hoyt Curtin’s famous Stone Age song on “Britain’s Got Talent.” Whether this is a high point or a low point for the Flintstones, I’ll let you decide. Cue in to the 2:40 mark.


Saturday, 14 April 2012

Snooper and Blabber — Hula-Hula Hulabaloo

Produced and Directed by Bill Hanna and Joe Barbera.
Animation – Ken Muse, Layout – Paul Sommer?, Backgrounds - Dick Thomas, Story – Mike Maltese, Story Direction – Alex Lovy, Titles – Art Goble, Production Supervision – Howard Hanson (no credits)
Voice Cast: Snooper, Blabber, Sledge Hammer, X-9, Peter Pistol, Flying Fish – Daws Butler; Narrator, Perry Pliers, X-12, – Don Messick
Music: Phil Green, Roger Roger, Jack Shaindlin, Eddie Lund, Bill Loose, unknown.
First Aired: week of March 14, 1960 (repeat, week of Sept. 12, 1960)
Episode: Quick Draw McGraw Show M-25, Production J-74.
Plot: In Hawaii, Snooper and Blabber try to get the Ping Pong Pearl back from a flying fish.

Yowp note: Versions of this cartoon are circulating with incorrect credits from a 1962 cartoon.

Smart-alec cartoon fish have been around since the Van Beuren short ‘Jolly Fish’ (1932). But the one in this cartoon doesn’t show up for a couple of minutes from the start. This gives Mike Maltese the chance to do punny gags on the detective genre. Well, after Bill Hanna saved a bunch of money.

Maybe it’s a coincidence, or my imagination, but it seems there are whole stretches of cartoons that Ken Muse animated at Hanna-Barbera with no animation. This one starts with two background pans, then a static shot of a third background. There’s no animation for the first 21 seconds. Then, when the camera pans over to two characters, all we get is mouth animation and an eye-blink when each is introduced. Of course, Muse is just following instructions handed to him, either by Hanna or Alex Lovy, a cost-conscious guy who had just come from the cost-conscious Walter Lantz studio.



Well, on to the detective name parodies. We’re introduced in the hotel lobby to Perry Pliers and Sledge Hammer (some 26 years before the Sledge Hammer! TV show) .


Perry: How’d you finally crack the jewel case?
Sledge: I didn’t. My wife used a hair pin.

Two undercover officers are next. One is under a rug. The other is in a plant pot. All we see is their hands they shake. Next is Peter Pistol. “Not anymore,” he evenly says. “I got a raise. I’m Ralph Rifle now.” He puts a rifle on his shoulder. Sky High, Out of Space Private Eye wear a space suit with a propeller on the helmet. H20, Underwater Cop is in a large fish tank and carrying a spear gun.




Now we’re slowly getting into the plot. We’re introduced to Forchoon Kooki, a Charlie Chan parody, complete with white suit and hat. The scene cuts to Snooper and Blabber in a rowboat, fishing “where the Omo Omo Nupa Nupa go swimmin’ by.” Maltese has me baffled. Sounds like part of a song lyric. Blab is equally confused about it (see note in the Comment section). It’s time for lunch. Now we meet our antagonist. Blab pulls out a sand-a-wich and a fish with wings flies out of the water, swallows the sandwich whole and dives back into the water. The fish is a cannibal because it’s a fish and poi burger. Then it eats a banana. “I heard they were doin’ great things in flyin’,” Snoop tells us, “But this is ridickaluss.”



Forchoon Kooki pulls up in a motorboat. He wants Snooper to deliver the Ping Pong Pearl to San Francisco. Kooki can’t do it because he “splained ankle. Slipped on wet Chinese noodle.” Kooki now departs. Aloha ‘Oe, honourable stereotype.

Snooper’s delivery is complicated by booby Blab, who is entrusted with putting the pearl in the food basket for safe keeping. Wrong move. Blab pulls it out again, thinking it’s a hard-boiled egg. So does the flying fish, who jumps out of the water, gulps it down and jumps back in.

So the gags centre on Snooper and Blabber trying to catch the fish.

● A pineapple ring on a fishing line is lowered into the water by Blab. The fish twirls the fruit like a buzzsaw and eats it. He then flies up and attaches the hook to Snooper.
● “If the mountain won’t come to Mahoney, Mahoney will have to go to the mountain.” Snoop is wearing a diving mask and jumps in the ocean. The fish opens the diving mask and it fills with water. Well, the fish did knock on the front of the mask and Snoop did tell him to come in.



● The fish swims out of the water and into the sky. Snooper follows him. “Stop in the name of the Private Eye Fish Fry Society!” You know what happens when cartoon characters suddenly realise they’re in mid-air. It’s an old gag.
● Blab leaps into the ocean wearing a shark fin, designed to scare the flying fish into the boat. The fish instead blows water into Snooper’s face. “The little squirt’s onto us,” says Snoop as he pulls the fin from the water. Surprise! (or maybe not). It’s attached to a real, toothy, angry shark that starts chasing the detective. The flying fish realises Snoop’s in danger, plucks him out of the water as the shark is about to bite down, and flies him to safety.



The cartoon ends with Snooper pasting stamps on the fish, who’s going to deliver the pearl by airmail. The fish lifts off with an “Ahoy aloha” from Snoop. The fin then returns, gliding to the shore. Snoop zooms up a palm tree and yells for help from the shark. No, it’s just Blab. “Gosh,” Blab surmises, while standing on a Hawaiian island, “Snoop really needs a vacation.”



The sound-cutter has dug up some interesting mood selections. Forchoon Kooki gets the theme ‘Chopsticks’ from the Valentino library. It’s not the version you played on a piano as a kid; it’s a short, oriental-sounding melody from Roger Roger, a Frenchman who composed for a number of production libraries while using a couple of different names. Some of his early works sound very symphonic but he was later a pioneer in electronic music. The cartoon starts with a ukulele theme from Eddie Lund. He specialised in music from the islands of the Pacific, especially Tahiti. A couple of other pieces seem to have only appeared in this cartoon. One is from Capitol Hi-Q X-4, a version of ‘Streets of Cairo’ that’s more Mid-Eastern than Hawaiian. And there’s a Chinese-evoking underscore when Forchoon Kooki meets up with Snooper which could be a Sam Fox library cue.

The cutter doesn’t let most of the music drag on for any length of time. Most of the cues are under 30 seconds.

0:00 - Snooper and Blabber Main Title theme (Curtin)
0:25 - UA HAAVAREVARE (Lund) – Pan of Hawaiian background, hotel exterior.
0:42 - GR-348 EARLY MORNING (Green) – Perry Pliers and Sledge Hammer.
0:54 - C-135 SNAKE CHARMER-COMIC (Loose) – Undercover.
1:05 - GR-456 DR QUACK (Green) – Peter Pistol, Sky High, H20, “Excuse please.”
1:28 - CHOPSTICKS (Roger) – Forchoon Kooki scene.
1:50 - GR-93 DRESSED TO KILL (Green) – Snoop and Blab in boat, fish eats sandawich and banana.
2:33 - far east underscore (?) – Forchoon Kooki in motorboat.
3:22 - GR-453 THE ARTFUL DODGER (Green) – Snoop hands pearl to Blab, fish eats pearl, Snoop laments.
3:51 - GR-346 FIRST BUDS (Green) – Snoop worried he’ll be drummed out, fish looks up.
4:05 - L-1158 ANIMATION COMEDY (Moore) – Pineapple bait drops, fish spins pineapple.
4:11 - GR-77 CUSTARD PIE CAPERS (Green) – Fish eats pineapple, attaches hook, reels in Snoop.
4:48 - PG-168J FAST MOVEMENT (Green) – Snoop in diving mask.
4:57 - GR-457 DR QUACK SHORT BRIDGE No 1 (Green) – “A good private eye...”
5:03 - PG-181F MECHANICAL BRIDGE (Green) – Snoop underwater, fish opens mask, fills up.
5:18 - circus running music (Shaindlin) – Snoop chases fish into sky, falls into water.
5:40 - GR-87 SKELETON IN THE CUPBOARD (Green) – Blab with fin, shark, Snoop runs.
6:10 - SIX DAY BICYCLE RACE (Shaindlin) – Fish rescues Snoop from shark.
6:30 - GR-80 FRED KARNO’S ARMY (Green) – Snoop on phone, stamps on fish, Snoop zips up tree.
6:53 - GR-99 CUSTARD PIE CAPERS (Green) – Blab surfaces, talks to audience.
7:08 – Snooper and Blabber End Title theme (Curtin).