Pixie is playing table tennis with Jinks in a little cartoon before the next Pixie and Dixie cartoon. Dixie is just standing there. To save money by hiring Don Messick, Pixie's voice is coming out of Daws Butler.
"Get this one, smarty cat!" says Pixie and whaps the ball high into the air.
Back goes Jinks in a four-drawing cycle as he passes the same tree three times.
Jinksie runs backwards into a mailbox.
"What can I do, Jinks?" asks Huck. The mail slot opens to reveal the cat's head. "Like, uh, get me a stamp," is his response.
Yeah, not the greatest line but I don't know what he could say. Personally, I'd like to have seen him splash backward into a fountain and say "I guess, like, my game's all wet."
The Huckleberry Hound Show was incredibly popular upon its debut, not only in the U.S. where Kellogg’s placed it on nearly 200 stations, but in other countries as well.
The Huck show got write-ups in England. This one is from the Dec. 14, 1962 issue of the Leicester Illustrated Chronicle
Boo-Boo And All That
HAVE you re-christened your cat Jinks? Do you feel your home is haunted by two "meeces" called Pixie and Dixie?
Does your wife call you "Boo-boo?"
And have your children adopted speech horribly like that of rural America?
If any of these things have happened, I'd diagnose a familiar T.V. ailment, and I'm not sure about treatment. You might try taking up Yoga, or rubbing with bear's grease!
As you hardly need telling, the Huckleberry Hound cartoons have a powerfully hypnotic effect. And you'll just have to hope that your children will grow out of talking Yogi bear talk.
Although I deplore their influence on youngsters, I must sneakingly admit that these cartoons can be very funny indeed. In spite of the bear-cat-hound-and mouse talk, the humour is often adult, and I would have thought, a bit beyond many children.
Violent
Some mothers may be appalled by infelicities like slamming of a door which Huck's face—which he then peels off and replaces! [From Little Red Riding Huck]. But this kind of “sick” is familiar in the “Tom and Jerry” (cat and mouse) cartoons with which the creators of Huck were formerly associated.
We see Tom the cat fur-less as the result of explosions, he takes the shape of objects against which he is violently hurled, he goes green after drinking some noxious liquid, and since he is a grey cat is it possible to draw for him beautiful black eyes which develop to the accompaniment of comets, lightning flashes and the twittering of birds!
THE simpler drawing of the Huckleberry Hound cartoons and the fact that we see them in black and white removes some of the horror when the characters suffer assault and battery.
The character voices are high in comic potential, but how to muzzle the little darlings who enjoy demonstrating their gift of mimicry is a bear-size problem.
Perhaps the only way to exorcise the "clinks" that is afflicting your household is to insist that A.T.V. screens these cartoons at half past eleven at night. A letter to your M.P. might do the trick.
Even then, your children might creep, "meece"-like, out of bed for a keyhole view of the programme!
Some Canadians could view Huck from American channels, but on January 7, 1959, he began appearing Wednesday afternoons at 5:30 on the CBC stations in Toronto and Ottawa, as well as Sudbury, Timmins, Wingham, London, Kingston and Peterborough, and at 7 p.m. Thursday on CKLW Windsor.
A Vancouver Sun story of Dec. 1, 1958 revealed the show was being re-voiced for the CBC French network.
There were other countries, too. The Lancaster Sunday News of Jan. 11, 1959 noted the show was being produced for Spanish-speaking countries with dubbed-in dialects. Perhaps along the internet, you've caught Jinksie or Iggy and Ziggy speaking in Italian or some other tongue.
We haven't checked, but one character shouldn't need anyone else's voice than Don Messick's original. After all, what's German for "yowp?"
Meanwhile, Huck continued to be a fad in the U.S.A. during his first season. The Lakeland Ledger’s College column of April 5, 1959 noted:
Thursday, the men of Phi Sigma Kappa and their dates will watch television for an hour at their weekly “Huckleberry Hound Party.”
The frat house was only able to view the show from 6 to 6:30 p.m. on WFLA-TV Tampa. We can only guess what they did in the second half hour.
Hanna-Barbera needed some outside help to get the Huckleberry Hound Show on the air. Three animators were on staff, but Hanna brought in Mike Lah (their wives were sisters) on a freelance basis to pick up some scenes and a couple of full cartoons.
Lah was employed at Quartet Films at the time; he was the “other” director at MGM when Bill Hanna and Joe Barbera were told the studio was closing, and had worked in various units after his arrival from Disney.
We’ve pointed out a number of early Huck show cartoons where the animation switches for maybe 90 seconds to Lah’s drawings. He’s never credited in those cartoons.
The other day, I was re-watching Scaredycat Dog (Production E-12), and spotted what sure looks like (to me) Lah’s animation; Lew Marshall gets the animation credit on it.
When Jinks tip-toes from behind a house, he has jagged teeth. Lah drew Spike that way in cartoons for Tex Avery at MGM.
Jinks going “boo” looks like Lah, too.
There’s a good deal of pose-to-pose movement by Marshall in this cartoon. In this scene, Lah draws two in-betweens before the dog zooms into the sky. The first lasts three frames, the next is on two frames.
A favourite Lah animation-saver is by holding a character on a cel and moving the mouth in a variety of shapes. You can see it in Pie-Pirates, the first Yogi cartoon; Lah animated it solo.
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The cartoon ends with the twin-brother, cat-hating dog chasing Mr. Jinks in an endless, four-drawing cycle that takes 24 frames to go past the same point of the background. Here's what it looks like. This is Lew Marshall's work.
Lah’s uncredited animation can be found in other Pixie-Dixie-Jinks cartoons: Pistol Packin' Pirate, Judo Jack, Little Bird Mouse, Cousin Tex, Jinks' Mice Device, The Ace of Space and Jinks Junior.
This is news that fans have been waiting for.
Many of you know that about 20 years ago, the first season of The Huckleberry Hound Show came out on DVD. Sales weren’t as good as expected, and that partially weighed into a decision not to release the remaining three seasons. There were also issues finding elements of the half-hour series but, more importantly, there were money problems trying to get the rights to use the Jack Shaindlin and Bill Loose cues as they had returned to the composers’ heirs.
This, evidently, has been worked out. The Huck show, in its entirety, will be available on Blu-ray next month.
The Warner Archive news release contains the following:
To faithfully present these episodes as originally aired, you’ll be able to enjoy each show containing original bumpers and bridges, as well as rarely seen vintage commercials featuring the characters from the series.
This means all the Huck, Pixie and Dixie, Yogi and Hokey Wolf cartoons that appeared on the show (Yogi, of course, was spun off and some of his cartoons appeared exclusively on his show).
You can read more in this release.
Hanna-Barbera may have ended production of new Huckleberry Hound cartoons in 1962, but he was still deemed a big enough star that box ads were taken out in newspapers that year for his half-hour show.
Here are a few. These chatty ones are for a TV station in Indianapolis.
This is one for a station in Amarillo. I think. The ad doesn't mention a station or channel.
Flint, Michigan to the left; Roanoke, Virginia to the right.
Cincinnati.
It is only appropriate that Huck is seen and heard in North Carolina, where his accent should be familiar to viewers.
Portland, left; Tulsa, right.
Sioux Falls, above; Atlanta, below. They had trouble spelling Huck's name in South Dakota.
This is for Miami, Nov. 29, 1962. Whose brilliant programming idea was it to run Huck opposite The Jetsons? Maybe it was "Bobb."
There are other ads, but this is good enough for now.
If Huck wasn’t on your TV set, you could get your blue hound fix at home by watching him on a Give-a-Show projector by Kenner. It wasn’t a home movie like, say, a Super-8 of Woody Woodpecker. It was a strip of slides. That had to suffice for us kids in the ‘60s. There was no sound so we could practice our impressions of Daws Butler doing Yogi. Look at the price!
Jon B. Knutson in Olympia had a wonderful blog with links to Give-a-Shows he had put together with Capitol Hi-Q music in the background. We had linked to it here in 2010, but it seems to have died the following year. Too bad. There’s so much on the internet that has disappeared. We are still here, however.
The Yowp blog is supposedly on hiatus, but we do have some new posts that will appear periodically (closer to monthly instead of weekly), we hope, through to Christmas, which has been our traditional H-B music post.
