Quick Draw McGraw — Two Too Much

Produced and Directed by Bill Hanna and Joe Barbera.
Credits: none. Animation – Ed Love, Layout – Walt Clinton, Backgrounds – Fernando Montealegre?, Story – Mike Maltese, Story Director – Alex Lovy, Titles – Art Goble, Production Supervision – Howard Hanson.
Voice Cast: Narrator, Billy the Kidder – Don Messick, Horse Face Harry – Doug Young; Quick Draw, Baba Looey, Warden – Daws Butler.
Music: Phil Green, Jack Shaindlin, Hoyt Curtin.
Episode: Quick Draw McGraw Show M-029, Production J-85.
First aired: week of January 30, 1961.
Plot: Horse Face Harry, the unspeakable outlaw, looks exactly like the heroic mainstay of law and order, Quick Draw, and the lawman discovers a way to turn this to his advantage (LA Times summary).

One of my favourite bits of Quick Draw dialogue is in this cartoon:

Warden: Can you do it, Quick Draw?
Quick Draw: Can a swim duck?

Actually, there are a few other pieces of fun, silly dialogue sprinkled throughout the cartoon. A shame it ended on a weak pun. Mike Maltese seems to have set up a Quick Draw template whereby Baba Looey had to have the last word of the cartoon while looking at the camera. It was simply up to Maltese to fill in the blank with whatever he could think of.

This is the third and final appearance of Horse Face Harry. Too bad, because he was a good character. There’s a bit of confusion about his name. A ‘Wanted’ poster in this cartoon calls him “Hoss-Face.” The voice actors use both “hoss” and “horse.” I’ve never seen the dialogue sheets, so I’m going with “horse.”

There are no credits on the versions of this cartoon I have but it’s easy to pick out the animator. Ed Love likes little weird mouth shapes in dialogue. And Horse Face’s evil, toothy grin reminds me of what Ed did with Buzz Buzzard as the end of the Woody Woodpecker cartoon “Drooler’s Delight” about 10 years earlier.



Walt Clinton is the layout artist. You can tell with the collar-height ears of the incidental characters.



I won’t try to identify the background artist. I like the toned clouds; several H-B artists seem to have used this effect. I also like the idea of Billy the Kidder’s hideout being labelled “Hide Out.”



But a pretty basic background drawing of the Western State Penitentiary opens the cartoon.



Maltese gets into the silly dialogue right away. The narrator explains the notorious bank robber Billy the Kidder has been captured and is being grilled by the prison warden about the location of stolen money.



Warden: Tell ya what. Talk, and you’ll get barbecued prairie dog every Sunday. Oh, joy!
Billy: With sagebrush dumplin’s?
Warden: Yes!
Billy: And tumbleweed pie?
Warden: Yes, yes!
Billy: No, thanks. I’m not hungry.

Yeah, it’s not as ridiculous as Maltese’s “Rabbit au gratin de gelatin under tooled leather” from the Warner’s cartoon Rabbit Fire, but it’s suitably Western.

Warden Lock N. Keys locks away Billy for 99 years but gets an idea to con Billy into divulging the location of the stolen money, upon seeing a wanted poster for Billy’s partner, Horse Face Harry, and noticing the resemblance to Quick Draw McGraw (“I get it. You want me to impersonate this handsome fellow,” says Quick Draw). As an added touch, the warden sings the Quick Draw McGraw theme song while on the phone trying to reach our hero. Quick Draw’s main concern about being in the same cells as Billy: “I hope he doesn’t snore.” What about Baba Looey? “I don’t look like Horse Face Harry,” he protests. “I look like my grandmother.”

So off to jail goes Quick Draw as Horse Face who’s “meaner than a barrel of angry wildcats.” Quick Draw gives us a wildcat snarl for good measure. Typical Ed Love mouth drawing; unfortunately Ed’s stuff got toned down as Hanna-Barbera cartoons got toned down. Baba Looey breaks the two out of jail and they make a run for the hideout. “Hello, there, Hide Out,” says Quick Draw when Billy introduces him to the shack. Quick Draw asks Billy to get him “some hot bank money...Over easy.”

“As fickle fate would have it,” the narrator begins, the real Horse Face shows up at the hideout. So the rest of the cartoon involves no one being able to tell Horse Face and Quick Draw apart. Billy hands the bag of stolen money to Horse Face and then runs back and forth between the two in different rooms of the hideout. “Must be that cactus cough medicine I’ve been takin’,” says the confused Billy, who decides to go back to jail and runs through the shack’s wall to get there. Then Baba thinks Horse Face is Quick Draw, thinking the heat is responsible for the change in voice (Horse Face is voiced by Doug Young). Baba grabs the cash (“Hey! He stole my stolen money!” yells Horse Face) and more identity confusion follows with Horse Face finally walking away with the money head to “San Francisco and a good time” (reminiscent of the bad guy in Quick Draw’s “Riverboat Shuffled” who announces he heading “to New Orleans, the Mardi Gras and some jolly fun”).

Quick Draw skids into the scene. “Where’s the money?” he asks Baba. “You just took it,” he replies, “And there you go, Quickstraw.” “Hold on thar, Quick Draw McGraw!” shouts our hero. “Drat! It’s the good-lookin’ buttinsky Quick Draw McGraw,” opines Horse Face. Now the Warden appears and there’s still more confusion, which carries on to the end of the cartoon with Quick Draw and Horse Face both yelling “I’m Quick Draw McGraw” at each other. Maltese may have been tempted to finish the gag with a “rabbit season/duck season” turnabout like he wrote at Warner Bros. but Quick Draw simply isn’t a bright enough character to carry it off. Instead, he prefers to let them argue with Baba adding a weak pun gag line: “You know something? I think I am quickly withdrawing. Adios!” And the cartoon ends.

I mentioned the Quick Draw theme on the piano making a quick appearance on the soundtrack. The rest of the music is pretty familiar.

0:00 - Quick Draw McGraw Sub Main Title theme (Curtin).
0:15 - GR-348 EARLY MORNING (Green) – Opening narration.
0:33 - GR-96 BY JIMINY! IT’S JUMBO (Green) – Warden grills Billy the Kidder, dials phone.
1:15 - (THAT’S) QUICK DRAW McGRAW (Curtin) – Warden sings Quick Draw theme.
1:21 - GR-357 DR QUACK SHORT BRIDGE No 1 (Green) – “Why none other than Quick Draw McGraw.”
1:26 - GR-472 HICKSVILLE (Green) – Quick Draw-Baba-Warden scene.
2:22 - GR-96 BY JIMINY! IT’S JUMBO (Green) – Quick Draw walks to cell.
2:35 - GR-99 THE DIDDLECOMB HUNT (Green) – Quick Draw put in cell, Baba saws window bars.
2:59 - LFU-117-1 MAD RUSH No 1 (Shaindlin) – Quick Draw, Baba and Billy run.
3:07 - GR-99 THE DIDDLECOMB HUNT (Green) – Quick Draw outside hideout, Billy goes to get money.
3:28 - CAPERS (Shaindlin) – Horse Face walks, shoots at Billy.
3:51 - ‘FIREMAN’ (Shaindlin) – Billy skids into room with Quick Draw, Billy goes back and forth, runs through wall.
4:26 - CRAZY GOOF (Shaindlin) – Horse Face has money, talks to Baba, Baba grabs money and runs.
4:50 - fast circus chase music (Shaindlin) – “Hey!” Horse Face falls in cellar, Baba walks out of room.
5:06 - CRAZY GOOF (Shaindlin) – Baba and Quick Draw talk about money, Baba runs out.
5:29 - fast circus chase music (Shaindlin) – Horse Face grabs money, Baba realises who it is, Warden shoots at Quick Draw.
6:24 - CRAZY GOOF (Shaindlin) – (Shaindlin) – “Hold on thar, Warden!” Quick Draw and Horse Face argue.
6:36 - GR-79 CUSTARD PIE CAPERS BRIDGE No 2 (Green) – Baba talks to camera.
6:44 - Quick Draw McGraw Sub End Title theme (Curtin).

Quick Draw McGraw — Kabong Kabong’s Kabong

Produced and Directed by Bill Hanna and Joe Barbera.
Credits: Animation – George Nicholas; Layout – Walt Clinton; Backgrounds – Bob Gentle; Story – Mike Maltese; Story Director – Alex Lovy; Titles – Art Goble; Production Supervision – Howard Hanson.
Voices: Quick Draw, Baba Looey, Man from Bank, Bank Manager, Engineer, Newspaper Reader 2, Sheriff, Townspeople, Phoney El Kabong – Daws Butler; Narrator, Horse Face Harry, Newspaper Reader 1, Deputy, Townspeople, Phoney El Kabong – Don Messick.
Music: Phil Green; Jack Shaindlin, J. Louis Merkur, unknown.
First aired: week of March 14, 1960 (repeated, week of Sept. 12, 1960)
Episode: Quick Draw McGraw Show M-025, Production J-72.
Plot: El Kabong tries to clear his name when bandit Horse Face Harry assumes his identity.

Was there ever a bad El Kabong cartoon? This is the fourth and last one produced for the 1959-60 season and it has exactly what you’d expect: catchphrases, shameless puns, lots of kabongs and crashes, stylised layouts, and a fight scene that stops for a pleasant conversation. And the bad guy loses, but so does the good guy (with Baba making an observation to the audience to finish the cartoon).

It also has the return of Horse Face Harry, although he’s played by Don Messick this time instead of Doug Young. I like the fact that Quick Draw’s supposed secret idea is known by Horse Face, who steals it.

George Nicholas handles the animation. You can tell by the little horseshoe shape at the side of the mouth when the characters say certain vowels. His animation is, unfortunately, not as fun as some of his stuff earlier in the season. But, like Dick Lundy, he’ll turn Quick Draw’s head at an angle during dialogue so he’s not just doing head bobs like Lew Marshall. Walt Clinton has some stylised incidental characters. And Bob Gentle’s mountains in the background are a solid colour for a change but with a bit of spongework at the bottom.



The earliest El Kabongs began with poetic narration and that’s what happens in this cartoon. There’s a pan over Spanish-style buildings and purple mountains in the background, resting at a statue of El Kabong (with guitar).

This is a tale of a quiet Western village
That once was the scene of plunder and pillage
‘Til those responsible, the doers of wrong
Were caught by the phantom El Kabong.

The music and scene suddenly changes, and we’re informed by a tiny-pupilled little man (a Nicholas trademark) the bank has been robbed. The narrator laments “If only El Kabong were here,” and the little guy tells us that’s who is robbing the bank. A mini-crime spree follows, with kabongings of a bank manager and a train engineer (with the voice of Cap’n Crunch) in between newspaper headline gags.

Man (reading): “El Kabong Turns Bandit. Robs Bank on Beautiful Spring Day.” I can’t believe it! The weatherman said it was going to rain.
Man (reading): “El Kabong Robs Train and Fleas.” What in the world would he want with fleas?

We fade to the sheriff and his deputies, deciding how to capture El Kabong, and the solution is for one of them to dress up as a damsel in distress to lure him into an ambush, yelling “Won’t someone help a damsel in distress?” There’s a rifle-laden posse hidden in an adobe storefront, an old ranch house and a wooden cart (and shots of each).

The scene cuts to Quick Draw, happily strumming his guitar while a barely-tolerating Baba Looey listens to him croon: “Ohhhh, I’m not a cactus, honey. I just forgot to shave.” We don’t get the rest of the lyrics because Baba interrupts the song because he hears something. “Sounds like a female critter yellin’ her head off,” Quick Draw observes, meaning it’s a job for El Kabong, so he ducks behind a boulder to change outfits. As in the Warners cartoon Super Rabbit (1944), he emerges with the wrong one. One corrected, there’s a repetition-dialogue gag, with the disguised deputy referring to himself as a “poor female critter in distress.” El Kabong now jumps from a building, swinging on a rope to the rescue, but is stopped in mid-air by the posse’s bullets. All Quick Draw can say is his catchphrase: “Oooh. That smarts.”



Despite this, the posse doesn’t capture Quick Draw or even talk to him. In the next scene, Quick Draw is standing and talking to Baba Looey, saying he’d “give a plug-ged nickel” to find out why he was being shot at. Just then, an off-camera “Olé!” and Quick Draw gets kabonged. Alex Lovy, or whoever, heightened the violence by adding two frames of black in the middle of the kabong. Quick Draw recognises who is responsible. “That handsome critter is Horse Face Harry, the outlaw, who looks just like handsome me.” Harry demands the plugged nickel. Quick Draw doesn’t even “have a real nickel” so he gets kabonged again. We get three black frames and two white frames in the middle of the kabong this time.

So Quick Draw hatches a plan. He hands Baba Looey a bag of gold that came from somewhere and when Horse Face Harry shows up and kabongs him, Quick Draw will kabong the bad guy right back. Baba doesn’t thin’ he likes the plan, which gives our hero a chance to give us his “I’ll do the thinnin’ around here, Baba Looey, and don’t you forget it.” The plan doesn’t work anyway. The two El Kabongs swoop down on Baba and end up colliding in mid air.

The two now get into a battle with their guitars (which magically appeared from somewhere; they didn’t have them when swinging on their ropes). The clash gets interrupted when Quick Draw complements Horse Face on the quality of his kabonger and the two start chatting about Pop Brady’s guitar shop in San Antone. I like how Nicholas saves some drawing in the shot by having the guitars in reverse; no need to draw strings. Baba interrupts the pleasantries to remind Quick Draw he’s got a job to do. That, of course, reminds Horse Face, who kabongs Quick Draw and makes off with the gold.



Baba Looey thin’s he’ll “take the shortscuts and give Quickstraw some assistance.” That he does. He disgustedly shoves a boulder on a rope at Horse Face swinging on a rope. A collision is inevitable. Of course, so is the rope snapping and the boulder plummeting onto Quick Draw. The bash knocks him silly. Well, sillier than usual.



So that takes care of Horse Face Harry. Only one problem. El Kabong forgets to collect the $25,000 reward for his capture. So he swings from his rope through the glass window of the sheriff’s office. The sheriff, who originally though Quick Draw was El Kabong, now isn’t impressed. “Well, you can join the other phoney El Kabongs outside.” Quick Draw looks out the door and there are about eight of them, including one with the wimpy voice Don Messick used in another El Kabong cartoons. You’d think someone could figure out which one was the real El Kabong by comparing them all to the statue in the town square but, no matter. Quick Draw tries to assert his rightful identity as El Kabong (tossing in a “Hold on thar!” in the process) and gets clobbered by the fakes. The tag line by Baba as Quick Draw runs away, ouching and ooching: “That Quickstraw. He’s got a soft heart. And a head to match.” It appears we’re out of catchphrases, so it’s a good reason to end the cartoon.



Jack Shaindlin’s ‘Crazy Goof’ makes two appearances on the soundtrack. I’m presuming the harmonica versions of ‘Red River Valley’ and ‘La Cucaracha’ are from the Hi-Q ‘X’ series but I haven’t located them.

0:00 - Quick Draw McGraw Sub Main Title theme (Curtin).
0:15 - Red River Valley (Trad.) – Narrator, shot of statue.
0:27 - GR-387 GATHERING THE PRODUCE (Green) – Man runs from bank, manager kabonged.
0:46 - GR-96 BY JIMINY! IT’S JUMBO (Green) – ‘Spring Day’ newspaper.
0:56 - MAD RUSH No 3 (Shaindlin) – Train engineer kabonged.
1:05 - GR-99 THE DIDDLECOMB HUNT (Green) – ‘Fleas’ newspaper, sheriff’s office scene, deputy caterwauls.
1:47 - guitar strumming (?) – Quick Draw strums guitar.
1:53 - tick tock/flute music (Shaindlin) – Baba hears something, baby outfit, Quick Draw shot.
2:43 - GR-76 POPCORN SHORT BRIDGE No 2 (Green) – Quick Draw in mid-air, drops.
2:49 - CRAZY GOOF (Shaindlin) – Quick Draw kabonged by Horse Face, vows revenge.
3:41 - SF-11 LIGHT MOVEMENT/MOUNTAINEERS' HOEDOWN (Merkur) – Baba with gold, Horse Face on cliff.
4:13 - related to Sportscope (Shaindlin) – Horse Face jumps, collides with Quick Draw, Quick Draw kabonged.
4:32 - GR-472 HICKSVILLE (Green) – “Mighty fine kabonger,” Quick Draw and Horse Face chat, kabong!
4:55 - SIX DAY BICYCLE RACE (Shaindlin) – Horse Face grabs gold, collides with boulder, boulder drops on Quick Draw, goofy song.
5:32 - CRAZY GOOF (Shaindlin) – Baba reads Cactus Sentinel, Quick Draw crashes through window, looks out through door.
6:15 - La Cucaracha (?) – Phoney El Kabongs clobber Quick Draw.
6:33 - Fast circus music (Shaindlin) – Quick Draw runs.
6:43 - Quick Draw Sub-End Title credits (Curtin).

Quick Draw McGraw — Double Barrel Double

Produced and Directed by Bill Hanna and Joe Barbera.
Credits: Animation – Ken Muse; Layout – Dick Bickenbach; Backgrounds – Bob Gentle; Story – Mike Maltese; Story Sketches – Dan Gordon; Titles – Art Goble; Production Supervision – Howard Hanson.
Cast: Quick Draw, Baba Looey – Daws Butler, Narrator, Sheriff, Horseface Harry – Doug Young.
Released: October 31, 1959.
Plot: Baba Louie tells a narrator the story of how Quick Draw met up with look-alike bad guy Horseface Harry and brought him to justice.

Childhood memories are made of Quick Draw McGraw, say the sages, at least those inspired by TV cartoons. And who can’t forget the sight of Quick Draw being so stupid, he mixes up when he’s shooting and when he’s blowing the smoke from his gun? It was my favourite H-B cartoon joke when I was a kid. I still laugh at it.



The gag—which Mike Maltese uses at the start and end of the cartoon—is not only awash in memories, it is thoroughly appropriate, considering the whole cartoon is about mix-ups, visual and verbal. The premise is there’s a bad guy who looks just like Quick Draw and confusion reigns over who is who.

Maltese wrote all the cartoons on the Quick Draw show in 1959, Snooper and Augie included. They all have pretty much the same structure. They open with an establishing pan shot, drop catch-phrases throughout, and end with a character making an observation to the audience about the action they’ve just witnessed. And if Maltese can elicit echoes of some successful bits he used on Warners cartoons, all the better. This cartoon follows the Maltese formula.

A money-saving left-to-right pan over a background starts us off, while a narrator sets up the cartoon with language reminiscent of a big screen Western. Doug Young gives us a serious, low-key read.

Narrator: Even as the avenging eagle must return to his nest for rest, so, too, must the lawman, at times, relax his vigil.



The shot cuts to Quick Draw at his ranch putting up tin cans on a fence for some target practice, resulting in the aforementioned gun-blast in the face.

This is another Maltese work where the narrator turns into an interviewer (behaving more like Ed Murrow on Person to Person, which was popular on TV at the time) and starts asking questions of the characters on screen. The narrator asks Baba “As Quick Draw’s partner, could you tell us which western bad man gave him the most trouble?” And that brings us into our story.

“They” send Quick Draw and Baba Louie to catch Horseface Harry. Our hero spots a wanted poster of him.

Quick Draw: Look at the crin-i-mal face.That low brow! Those shifty eyes! That weak chin!
Baba: I thin’ he looks like you, Quickstraw.
Quick Draw: Look at that kind face. That nob-ell brow! That strong chin.

And—catchphrase one—Quick Draw reminds us he’ll do the thinnin’ around here. Unfortunately, the sheriff shows up. Quick Draw takes offence at begin called a “stranger” and hautily (but stupidly) remarks “Everybody knows who I am, sheriff!” Since he’s standing next to the ‘Wanted’ poster, the sheriff naturally thinks he’s Horseface Harry and pulls out a gun. Quick Draw and Baba run out of town and hide in a cabin (which we see in a stationary shot for almost five seconds)—the cabin of Horseface Harry.



Baba Looey peers out the window and invokes the spirit of Ricky Ricardo swearing at Lucy in Spanish as he spews an endless stream of what’s supposed to be Spanish (the only understandable word amongst the gibberish is ‘enchilada’) which is repeated by Quick Draw with some quick mouth and tongue movements that must have been fun for Ken Muse to try. That’s when Harry, gun drawn, makes his entrance. Maltese treats us to western-style cliché dialogue:

Quick Draw: I’m A-rresting you, Horseface. What do you say to that?
Harry: And I’m-a going to shoot you full of holes. What do you say to that?
Quick Draw: Oh, I’ll think of something. Don’t rush me.

Horseface starts firing and Quick Draw and Baba make a run for it (past the same window in the background 14 times). Quick Draw hides in a barrel, but peers out the top and remarks “I don’t see that stupid Horseface no place.” Of course, Horseface is standing next to him and, of course, there’s a knothole in the barrel, and you can guess what happens next. Maltese fits in catchphrase two—“Oooh. That smarts.”




Our heroes hide behind a couple of cactuses and Baba Looey comes up with a plan—Quick Draw will tell Horseface they’re each other and when Horseface turns him in to the sheriff, he’ll reveal who the real Quick Draw is. Maltese now tosses in his Warners inspiration, dating back to when he and Tedd Pierce wrote Duck Soup to Nuts (1944) and Daffy tried to convince Porky he was an eagle through word-play that got reversed:





Horseface: I’m Horseface Harry.
Quick Draw: Quick Draw McGraw.
Horseface: I’m Horseface.
Quick Draw: Quick Draw.
Horseface: Horseface.
Quick Draw: Quick Draw.
Horseface: Horseface.
Quick Draw: For the last time, I’m Quick Draw McGraw, and [catchphrase three] dooooon’t you forget it!

Harry asks him to prove it, and we get a reprise of the gun-fire/smoke-blowing mix-up earlier in the cartoon.

The next little scene has its inspiration from theatrical cartoons, such as Canary Row when Tweety rolled a bowling ball down a drainpipe at Sylvester on the other end. Horseface is outside one end of the cabin, Quick Draw is at the other. He shoots into the drainpipe, and the bullet comes out the other end into Horseface’s butt. This is a really clever sequence. Muse draws a little kick-back on the gun after Quick Draw fires it, just like a real gun. The sound-cutter (Greg Watson?) has a nice collection of metallic clattering sounds as the bullet travels along, with appropriate bangs at it turns corners.



The cartoon now borrows from a cartoon that borrows from live action as Quick Draw skids into the cabin and behind a dresser. Horseface does the same and stares into the dresser’s frame, wondering whether Quick Draw’s visage is his. The mirror bit was done by Bugs and Elmer in Hare Tonic (1945) but it’s a classic routine of film comedy from the Marx Brothers’ Duck Soup (1932). There’s great timing here as the bit ends with Harry suddenly producing a cigar while Quick Draw lights it. The gag works well because it’s unexpected.



Harry pulls a gun. “Got you, you sickening, western good guy!” But then Baba Looey pops out of a dresser drawer and gets the drop on the “sick, sick, sick western bad guy.” And that’s the story of how Quick Draw caught Horseface Harry, as Baba tells the narrator.

Quick Draw ends the cartoon with the gun-fire/smoke-blowing mix-up earlier in the cartoon (after telling the audience he “only goofts once” then doing it anyway) and Baba anti-climactically remarking “I like that Quickstraw. He’s crazy. Don’t you thin’ so?”

Horseface Harry made return engagements in Kabong Kabong’s Kabong (March 12, 1960) and Two Too Much (Sept. 24, 1960)

Phil Green and Jack Shaindlin dominate the music track. Green wrote a main version of some of the cues in the Comedy Cartoon series of EMI Photoplay discs along with two or three short bridge versions. Thus we get the second bridge version instead of a snippet of the full Custard Pie Capers at the end.

Victor Lamont did a number of piano-roll-style solo pieces for the Sam Fox library that were picked up by Capitol Hi-Q and one of them is here. Winter Tales (aka Hearts and Flowers) was another and used in other H-B cartoons.

There is no credit title card on the version of the cartoon I have (sorry for the muddy screen caps) so the cue timing reflects this.

0:00 - Quick Draw sub main title theme (Hanna-Barbera-Curtin).
0:15 - ZR-39A WESTERN SONG (Geordie Hormel) – Quick Draw practices his quick draw.
1:06 - TC-205 LIGHT MOVEMENT (Loose-Seely) – Baba talks to narrator.
1:35 - GR-74 POPCORN (Green) – Quick Draw and Baba walk to Wanted poster.
1:48 - GR-99 THE DIDDLECOMB HUNT (Green) – Quick Draw looks at poster.
2:27 - ZR-94 CHASE (Hormel) – Sheriff shoots at Quick Draw.
2:42 - ROMANTIC JAUNT (Bluestone-Cadkin) – Quick Draw and Baba hide in cabin; Horseface shows up.
3:45 - fast chase music (Shaindlin?) – Quick Draw and Baba run from bullets.
3:59 - COMEDY SUSPENSE (Shaindlin) – Quick Draw shot in barrel.
4:13 - GR-472 HICKSVILLE (Green) – Baba tells Quick Draw to confuse Harry; dialogue mix-up.
5:42 - COMEDY SUSPENSE (Shaindlin) – Quick Draw shoot Harry through drainpipe; mirror bit.
6:33 - FM-149 HOME ON THE RANGE (arr. Sterling Sherwin, Henri Klickman) – Quick Draw shoots himself.
7:01 - GR-79 CUSTARD PIE CAPERS SHORT BRIDGE #2 (Green) – Baba remarks “He’s crazy.”
7:09 - Quick Draw sub end title theme (Curtin).