Credits: Animation – Ken Muse; Layout – Dick Bickenbach; Backgrounds – Fernando Montealegre; Story – Mike Maltese; Story Sketches – Dan Gordon; Titles – Art Goble; Production Supervision – Howard Hanson.
Cast: Snooper, Gretel, Marvin the gorilla, Judge – Daws Butler; Blabber, Witch, Hansel – Elliot Field.
First Aired: week of October 12, 1959.
Production No. J-3.
Plot: Snooper and Blabber testify how they rescued Hansel and Gretel at the trial of the kidnapping witch.
A note from Yowp: Yes, I know you thought for Hallowe’en, I’d run down a cartoon featuring J. Evil Scientist. Sorry. J. Evil Scientist and his one-gag family are on my list of lame H-B characters along with Cindy Bear and Yakky Doodle. Instead, we’ll feature another character appropriate to the season.
It didn’t take long for Mike Maltese to dip into his old oaken bucket into the reservoir of Warner Bros. tricks after arriving at Hanna-Barbera from the Chuck Jones unit. This cartoon combines the plots of a couple of Warners cartoons and Maltese shamelessly lifts a line out of one of them.
First, Maltese borrowed a little more than a pinch of this and a dash of that from Jones’ Bewitched Bunny (1954), written by—surprise!—Mike Maltese, which featured Witch Hazel trying to eat Hansel and Gretel but ends up thwarted by Bugs Bunny. Added to that is the basic plot of Friz Freleng’s The Trial of Mr. Wolf (1941) written by—surprise again!—Mike Maltese, where a wolf testifies in court in his defence against a fairy tale character and makes himself out to be the victim. The character, in that case, is Little Red Riding Hood.
So, now Maltese has his plot. And the cartoon opens with Snooper and Blabber tooling down a city street in their late-‘50s finned car (very similar to the one in their previous effort Puss N’ Booty) as Blabber reads a newspaper headline we can all read for ourselves. The two are set to testify in the trial of a witch, who proclaims her innocence, claiming Hansel and Gretel set her up. One thing Maltese couldn’t borrow from Warners was the voice of Witch Hazel, the wonderful June Foray, so Joe Barbera handed the role to Elliot Field. He sounds a bit like Jonathan Winters doing Maudie Frickert, but it works.
We iris in to Hansel and Gretel on the stand. “She tried to make a smorgas-boy out of me,” says the innocent-looking Hansel, and we fade to their version of what happened. The dialogue’s cute here. Field and Daws Butler, as Gretel, read their lines like they’re badly reading a script. “We are lost, kind lady.” “We seek food and shelter.” The witch bids them to come in and take a ride in a “sports car”. She even gives them little sports car-riding caps. The sports car turns out to be a roasting pan with wheels (clever, that old crone), as the witch slams the lid on top and kicks “my little blue plate specials” into an old-fashioned stove. The kids escape through the burner holes and are chased around the house “until Snooper and Blabber Mouse came to our rescue.”
What now? “Alimentary, me dear Blabber Mouse,” says Snooper. And they run away. But not so fast. They see, and hear, the kids cry for help. Isn’t that a great little attic shot? I wonder if Dick Bickenbach came up with that in layout or Dan Gordon drew it first. Our heroes decide to batter down the door to the cottage. The witch opens the door, the detectives enter the home, and the stove, still carrying the log. They roll out in the wheeled roasting pan and the witch beats a hasty retreat.
Here are a couple of Monte’s interior backgrounds. Not as outrageous as Ernie Nordli and Maurice Noble’s designs for Witch Hazel at Warners, but I really like the broken, crooked stairwell anyway.
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
Blabber: Say, Snoop. What are you doing up there?
Snoop: I’m reading a book because the light is better.
Snooper tells Blab to go down to the cellar, get a saw and saw the gorilla from below. But Blab screws up the instructions and saws around the light from above and Snooper lands on Marvin instead.
While I’m at it, let me apologise for the poor quality screen caps. If WHV would bother to spend the money on music rights and put these out on DVD, I’d be very happy.
Some of the music selections are a little unusual for a Snooper cartoon, which avoided using tunes by Bill Loose and John Seely. And I don’t believe Toboggan Run was used again; there was other Shaindlin chase music in later cartoons and you can hear some of it here. All Phil Green compositions are the original names from EMI.
0:00 - Snooper and Blabber Main Title theme (Hoyt Curtin)
0:24 - TC-432 HOLLY DAY (Loose-Seely) – Blabber reads headline, witch on stand, flashback to Hansel and Gretel arriving at witch’s cottage.
1:30 - L-1139 ANIMATION COMEDY (Moore) – Hansel and Gretel testify.
1:46 - Suspenceful music (Shaindlin) – Kids put in “sports car”; witch chases them in house.
2:39 - GR-75 POPCORN SHORT BRIDGE (Philip Green) – Snooper and Blabber on the stand, Snoop answers phone.
2:55 - GR-78 CUSTARD PIE CAPERS SHORT BRIDGE (Green) – Snoop and Blab get in car.
3:08 - GR-334 LIGHT AGITATED BRIDGE (Green) – “What’s wrong with a little hero worship?”
3:21 - GR-93 DRESSED TO KILL (Green) – Snooper and Blabber arrive at witch’s cottage, gorilla pounds on Snooper, kids scream for help.
4:31 - F-5-20 TOBOGGAN RUN (Shaindlin) – Battering ram, chase, witch captured in roasting pan.
5:05 - circus music (Shaindlin) – Snooper and Blabber carry pan.
5:27 - vaudeville music (Shaindlin) – Snoop hides in light, Blab saws down Snoop.
6:04 - circus music reprise (Shaindlin) – Snoop runs from gorilla; witch runs into door.
6:19 - GR-90 THE CHEEKY CHAPPIE (Green) – “Excuse me, madame”, Witch demands to bring in surprise witness.
6:37 - GR-96 BY JIMINY! IT’S JUMBO (Green) – Gorilla testifies, Hansel cries “liar.”
6:55 - GR-77 CUSTARD PIE CAPERS (Green) – Witch reveals she’s gorilla.
7:09 - Snooper and Blabber end title theme (Curtin).
Snooper and Blabber first became a hit with me in the fall of 1964, when I was living in Fredericton and the Irving-owned CHSJ-TV was the only channel around. The concept of a cat and mouse as partners looked fresh, and age ten was not too young for me to sense the wit behind their antics. Some episodes were funnier than others, but all of them looked as if they were crafted by people who had not yet become weary from their mass-production work.
ReplyDelete-Tony
I'd like to think most kids who watch cartoons aren't dumb and they can pick up some stuff that's supposedly adult, say Snooper's less than humble reactions to Blabber's fawning. Kids can recognise human nature.
ReplyDeleteWell, providing they're watching reasonably intelligent cartoons.
I always thought Snooper & Blabber didn't use the same music as Yogi Bear/Pixie & Dixie/Huckleberry Hound, but I was surprised to see their Baby Hounded used Loose/Seely's "Shining Day," "Zany Comedy" and "TC-300 Eccentric Comedy," Hormel's "ZR-48 Fast Movement," Moore's "L-1154 Animation Comedy" and Shaindlin's "circus chase" music.
ReplyDeleteRoger, I guess you mean Baby Rattled, as it starts with Shining Day (aka Domestic). I can only theorise that as these were early ones in the series, H-B hadn't decided at that point to use "all-new" cues. Or maybe they had a different sound cutter working on the series later. Maybe there was a contractual thing with Capitol. I really don't know.
ReplyDeleteI'm having a time labelling the unidentified Shaindlin cues which date back before the Langlois library existed. He did a series that can all be described as circus type cues; they're all very similar in production and arrangement. There are at least a half-dozen different ones. The one used most often, fortunately, was generously identified by Earl Kress for me. That's On the Run. Rodeo Day is another. He doesn't have the other ones.
I don't think some of these cues were ever re-released in the Cinemusic 100 series (the first Cinemusic library of Shaindlin's).
I keep hoping someone will contact me and say they have dubs of some old Lang-Worth discs with this stuff on it they'd be willing to send to me but I suspect that'll be a miracle.