Daws Butler: Living the Characters

Daws Butler once told interviewer Larry King that he did not do “voices.” He did “characters.”

If anyone was the glue that held the Hanna-Barbera cartoons together in the early years, it was Daws Butler. He voiced almost all the starring characters before The Flintstones came along in 1960. Even then he auditioned for Fred Flintstone and, the following year, was briefly picked as the voice of Top Cat.

Whatever he picked up about acting with one’s voice, starting on the stage in Chicago in the mid-‘30s, he passed on to anyone who asked for his help. His cartoon career began after the war; he gave credit to MGM director Tex Avery for picking him (though it is understood he narrated a cartoon for Columbia/Screen Gems before that).

Through the 1950s, when he wasn’t performing in theatrical cartoons, he and Stan Freberg were almost a pair, working on the puppet show A Time For Beany, a bunch of records for Capitol and two radio shows. He deserved a writing credit on Freberg’s 1957 variety show but never got one. Then there were numerous animated commercials on TV that Daws also wrote and lent some voices that would be familiar to Hanna-Barbera and Jay Ward fans not too much later.

Daws talked about the Hanna-Barbera characters in a number of interviews over the years. Here’s one from the Evansville Press of Oct. 30, 1966. By then, others had taken over the lead roles as H-B moved into Saturday morning programming.

Virtually Living the Part Is Key to Success Says ‘Voice’ of 10 Weekly TV Cartoon Shows
By BILL LYON
Tri-State Editor
MADISONVILLE, Ky.—You’ve heard Yogi Bear boast of being “better than the average bear.” [sic]
And Mr. Jinks vowing “I hate meeces to pieces.”
And Snagglepuss with his “Exit, stage right.”
Now meet the man behind those voices and expressions, as well as those of a dozen other TV cartoon characters. His name is Daws Butler. He’s a short, barrel-chested man with shaggy eyebrows and a face as elastically expressive as his amazing voice.
Chances are you’ve never heard of Mr. Butler before.
But you, and especially your children, hear him five hours a week on television. He does the voices for 10 different half-hour cartoon shows—Quick-Draw McGraw, Dixie, Hokey Wolf, Blabber-Mouse, Super Snooper, Baba-Looey, Snuffles, Huckleberry Hound, Augie Doggie, Fibber Fox and a few others in addition to the three mentioned previously.
Butler also handles the voices for Cap’n Crunch and Mr. Wiggle in the cereal and Jello commercials.
He was in Madisonville the last week with his wife visiting his sister-in-law and her husband, Dr. and Mrs. Selby Coffman.
Butler estimates that since broke in the cartoon field in 1951 with Walter Lantz strips he has provided the voices for over 600 cartoons.
The secret to all those different voice characterizations?
“Virtually living the character," Butler said. ”If I had to act them out physically, I could. When I do Yogi Bear I almost walk like he does. Mr. Jinks the cat talks very slowly. So when I do him my whole body relaxes and goes limp.”
Yogi Bear is probably the most famous of Butler’s voices—he’s been translated into 19 languages in 32 countries, and for a time was the only American show seen on TV in Cuba. But Butler’s personal favorite seems to be Mr. Jinks, the cat who spends his time in a frustrating chase after those two mice, Pixie and Dixie.
“He’s the most elastic character. I talk around his lines and have made him exceptionally verbose . . . while occasionally butchering the English language," Butler said.
Contrary to popular belief, voices of cartoon characters are not dubbed in after the animated strips have been made.
“Most people think that the way it’s done, but it would be too confining. Most of the personality a cartoon character has comes from his voice and his attitude of expression,” Butler pointed out.
“So we read the script and the sound track is made first. The writers and animators watch us read, and pick up some additional ideas for illustrations and lines from our facial expressions. That’s why early radio was such great training because you were acting out the lines to put more feeling in them," Butler continued.
Butler’s next project will be the voices of the scarecrow, tin woodman and the wizzard [sic] in an MGM adaptation of “The Wizard of Oz." It will be released in January. Mel Blanc will do the voice of the cowardly lion.
"The big advantage to doing voices is that, unlike an actor, you don't get stereotyped. I can play a prince in shows like Aesop and Son or Fractured Fables then to Yogi Bear or Quick-Draw McGraw," Butler pointed out.
Daws and his wife live in Beverly Hills. They have four sons—David, Don, Paul and Charles.
“They’ve grown up now, but they’ll be having kids who can watch cartoons on TV, and maybe listen to their grandfather," Butler smiled.

Now, for your listening pleasure, here’s Daws in one of his early West Coast projects. Belda Records were 78s that came with a comic book to read along with the dialogue on the record. The comics were drawn by Tubby Millar, a writer of Warner Bros. cartoons in the ‘30s You can see one page of the artwork to the right. And we have the sound from “Chirpy Cricket,” copyrighted on April 20, 1947. The story is by Frank Bonham.


Here’s an interesting bit from Chuck Cecil’s The Swingin’ Years, a big band show that aired, among a number of places, on Armed Forces Radio. Listen to the minute-long drop-in at 17:05. You’ll recognise the voice. I don’t know the context behind the routine.



And from the late Earl Kress comes this 1986 walk around Daws' studio behind his home.